Ernest Hemingway s Arms And The Sun Also Rises - 2140 Words

Hemingway is one of the greatest American writers of the twentieth century. In his works A Farewell to Arms and The Sun Also Rises, Hemingway uses damaged soldiers to reveal war in its real nature and how it effects people. He tries to show to people that war is not made out how it looks in movies, posters, etc. He also feels that war is unproductive by nature and that most goals in war are mostly pointless. He also shows readers that military conflict often causes people to have shallow values and to hide their pain. One big factor in Hemingway’s works is the loss of innocences in a time of war. Not just with soldiers but with innocent bystanders in a time of war. Henry a innocent young man sets up the disillusionment. He†¦show more content†¦He constantly says that Henry is a hero even though Henry was hit by an artillery while eating rich food. Also Rinaldi keeps praising Henery, saying that his â€Å"heroic actions gives him the privilege of earning medals. T hen in For Whom the Bell Tolls, Robert Jordan shares that he feels that his actions are important to the war effort. He calls his heroic action of blowing up a bridge a turning point for Spanish Civil War and the human race. He is very selfish and thinks only of his valor and convinces himself to forget other thoughts when it crosses his mind. â€Å"Robert Jordan pays†¦ in order to assure the success of a Loyalist offensive, although he already knows that the offensive will be a failure† (Cowley ). This shows that soldiers live very mundane lives than what people believe that they have. They do not experience the heroism in war like most people believe that it is. Hemingway is not writing his works to be a anti-war view. He has experience of war he had parts in both the First and Second World War. His works are helping people to see the truth about war. One way a reader can see the truth is in A Farewell to Arms where Henry experiences the damage that it causes, thr ough the artillery strike that destroys his knee. The injury affects him throughout the rest of the war/story. By the end of this story he losses his primary distraction from the war, Catherine. He is alone and scarred. The major tells Henry that it has

Positive Response Action Free Essays

Positive Response Action: The ultimate goal of website communication Summary Understanding and knowing the audience is the key to delivering the message to them. The key to harnessing the Internet’s power is to understand all of the people with whom one will communicate with. Every website should have one overriding, generic entity goal to achieve positive response action. We will write a custom essay sample on Positive Response Action or any similar topic only for you Order Now Both content and usability can be viewed as as cognitive ? triggers? , gateways to self-gratification and consequent PRA. Every website may be classified into one of three sender motivation categories: individual, strategic stakeholder communication, non-strategic communication. Content of the article Knowing the audience is important in every field and the key to the success, for example in marketing and public relations if you want to sell your product you need to know your customers’ needs and wants, and PR specialists need to know the audience too if they want their message to be delivered in a campaign or programme. And the key to a successful website is knowing the audence in the same way. If you know the audience you can deliver and present your message and information more efficiently and are more likely to achieve your goals. Positive response action should be the goal of a website otherwise there is no point of the site. Positive response action was defined by six website visitor positive outputs for example the time spent on the website which should tell if the visitor is satisfied but it could be also questioned, because maybe s/he is not satisfied and is spending longer time on the site because s/he can’ find the information s/he wanted. Examples from practice The objective of an individual’s website might simply be so s/he can say they have one: Many individuals and also companies have websites which are often half-finished and don’t contain a message and are just existing in the Internet. A website without a meaning could leave a wrong first impression of the company for example and leave the visitor unsatisfied. Graphics take often a massive amounts of memory: I have noticed that due to low-speed Internet many people find it irritating to use the social networking site Myspace, it takes a lot of time to load the graphics as I have experienced myself and also read from other users’ comments, and many have stopped using the site because of that. „Make sure your website is fast to access and is not slowed down by large images or fancy gadgets†(Chung) : „Myspace is set up so that anyone can customize the layout and colors of their profile page with virtually no restrictions. As Myspace users are usually not skilled web developers, this can cause further problems. Poorly constructed Myspace profiles could potentially freeze up web browsers due to malformed CSS coding, or as a result of users placing many high bandwidth objects such as videos, graphics, and Flash in their profiles (sometimes multiple videos and sound files are automatically played at the same time when a profile loads). †[i] Currently (March 2011) Myspace has an estimated 34 million users compared to Facebook’s 600 million for example, the reason for lower popularity might be the inability to satisfy the users and offer them satisfying experience. Myspace was also named the worst website by PC World in the list of 25 worst websites ever. Dimensions of Customer Value of Website Communication in Business-To-Business Relationships Summary During the last decade, websites have become widely accepted means of communication in business-to-business relationships and their use and importance is increasing constantly. At the same time, internet technologies advance rapidly, increasing customer expectations of website characteristics and possibilities, pressuring companies to actively further invest in their websites. Also to justify the website investments, companies have to design websites that fit to their customers’ need. For that they need to understand the value of websites for customers to enable companies to meet customer needs and expectations, direct resources efficiently, predict customer behaviour and achieve sustainable competitive advantage. The study portrays seven dimensions of CV of website communication in business-to-business relationships: convenience, efficiency, competence, confidence, comfort, appreciation and enjoyment. Content of the article I agree that the qualitative methods are the most suitable for uncovering customer value dimensions as they are more in-depth and provide a more rich description conversely to the quantitative methods which involve more statistical data. It is important to fulfill the customer desired end-states that the study brought out if you want to satisfy your consumers, such as convenience and efficiency because people like to get things easily without spending very much time, nowadays in the Internet age especially people are used to getting things fast and the one who offers information or products most conveniently gets the clients and profit. Also appreciation is an interesting point that was brought out because people like little details and like to get gifts, it could play an influential role in keeping the customers or winning them to your side. Although dimensions brought up in the article was limited to the customers in the study and don’t represent all the industries and customers, these dimensions generalize the dimensions which could apply to other contexts too. However I think more research should be done in this area as the importance of website communication is increasing and companies need to know what their customers want as websites are also often the first impression of the company. Examples from practice Websites have become widely accepted means of communication in business-to-business relationships: Time is money and the Internet offers the possibility to reach to the businesses more quickly and also find them more quickly as businesses also do their research online. ———————– [i] Retrieved from: http://en. wikipedia. org/wiki/Myspace#Accessibility_and_reliability How to cite Positive Response Action, Essay examples

2001 A Space Odyssey (1183 words) Essay Example For Students

2001 A Space Odyssey (1183 words) Essay 2001 A Space Odyssey2001 : A Space Odyssey. I am going to be talking about Stanley Kubricks ‘2001: aspace odyssey’, focusing (obviously) on the music, but alsothe sound. I will also be incorporating elements from MarkMillers article â€Å"2001 a cold descent†2001: A Space Odyssey, introduced in 1968, is a highconcept production that begins by tracing the ‘Dawn OfMan’, which eventually leads to a journey through the solarsystem by a crew of astronauts aboard a spaceship boundfor Jupiter. The accompanying soundtrack plays as much of a role inthe development of suspense and intrigue as the actorsperformances. Three decades later, the soundtrack remainsone of the most recognized in cinematic history. Initially, Kubrick asked Alex North, who had written thescore for ‘Spartacus’, to compose the music for 2001. Although he commissioned an original score, Kubrickultimately opted to stick with the well-known classicalcompositions and cues he’d blocked in during production,making the soundtrack one of the most unconventional everproduced. The catalogue of film scores commissioned and thendumped in favor of someone else’s work is extensive. Thesituation has a fascination all of it’s own: what might havebeen? Hermanns score for Torn Curtain for instance, andhere, Alex Norths score for 2001 are both examples. It was only as North watched the first commercialscreening that he discovered that his own score had beendiscarded. It was replaced by existing classical scores. The soundtrack features eight classical tracks includingGyorgi Ligeti’s â€Å"Atmospheres† and Requiem†, Johan Strauss’sâ€Å"The Blue Danube† and Richard Strauss’s â€Å"Also SprachZarathustra† (or â€Å"Thus Spake Zarathustra†), which incidentallyElvis used to use to open his concert performances. The film combines eerie contemporary music withclassical waltzes and Ballet suites grunts and snarls withpneumatic hisses and synthesized beeps. One character hasa rough, throaty voice but the computer, Hal 9000, talks witha soft mellifluous tone (the classic characterization of thesmooth talking villain). In 2001, space is accurately depictedas a truly silent vacuum, but technological Man fills this worldwith the sound of circulating air systems, hummingcomputers and hissing doors. This sonic menace was latertaken to extreme by Ridley Scott in Alien which sharescommon elements with 2001, not least of which is one of theclassical pieces which Kubrick uses (when the Jupiter missionis first underway). 2001 begins with a desert plain, and the sound of windbroken only by the sound of ape men digging in the dirt for amorsel of vegetation. When a leopard snarls and attacks oneof the apemen it rocks the soundtrack. The film ends with Dave Bowman, breathing then steppinginto a fabricated room while the background noise windsdown to ever lower notes, which has the effect of slowingthe pace. We then see Bowman as an older man eating at atable (eating is a common theme in the film) and the soundof his cutlery clashing against the plate. Both of theseframing scenes are made suspenseful not just by their slowpacing, and their unfamiliar placement, but the eerie,subdued and anxious sound. The atmosphere in the room inwhich Bowman is eating is tense the sound is only broken bythe smash of the glass on the tiled floor. The soundpunctuates the atmosphere and shakes the viewer. Another famous scene that illustrates this contrast is thesequence in which Bowman is rescuing his murderedshipmate, Frank Poole. The silence of space, through whichPoole spins to his doom, is absolute. Where earlier the spacewalks were accompanied by the methodical breathing ofthe astronaut inside his helmet, here there is no sound, onlylifelesness, a pure void only broken by the anomaly of abright orange spacesuit tumbling away through space. .ubf154aa10639046a185974d195f5262e , .ubf154aa10639046a185974d195f5262e .postImageUrl , .ubf154aa10639046a185974d195f5262e .centered-text-area { min-height: 80px; position: relative; } .ubf154aa10639046a185974d195f5262e , .ubf154aa10639046a185974d195f5262e:hover , .ubf154aa10639046a185974d195f5262e:visited , .ubf154aa10639046a185974d195f5262e:active { border:0!important; } .ubf154aa10639046a185974d195f5262e .clearfix:after { content: ""; display: table; clear: both; } .ubf154aa10639046a185974d195f5262e { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ubf154aa10639046a185974d195f5262e:active , .ubf154aa10639046a185974d195f5262e:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ubf154aa10639046a185974d195f5262e .centered-text-area { width: 100%; position: relative ; } .ubf154aa10639046a185974d195f5262e .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ubf154aa10639046a185974d195f5262e .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ubf154aa10639046a185974d195f5262e .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ubf154aa10639046a185974d195f5262e:hover .ctaButton { background-color: #34495E!important; } .ubf154aa10639046a185974d195f5262e .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ubf154aa10639046a185974d195f5262e .ubf154aa10639046a185974d195f5262e-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ubf154aa10639046a185974d195f5262e:after { content: ""; display: block; clear: both; } READ: Buns Of Steel Sex Appeal EssayInside Bowmans craft, the Shipboard radar tracker beepsloudly, building in intensity. The juxtaposition of the silence ofa dying man floating alone in space, with no sound but theradar is one of the most violent contrasts in the film. As thedead man drifts into view through the window, the audiencesenses how alone man is in space. Later when Bowman maneuvers to reenter the shipwithout his helmet, the subtle sounds and whirs of the thecraft become louder. They abruptly give way to loudwarning sirens as he prepares for the worst. Again the sounddesign, built of authentic ambient structures, determines thetone and the overriding texture of the scene. By themselvesthe sounds are nuetral, but contextually they take on greateremphasis. The reason I am exploring the sound in such detail isbecause the musical and ambient parts of the soundtrackare very deliberate. Together they create an aural ensemblethat is greater than the sum of its parts. At many pointsthroughout the film, sound effects and music are usedentirely seperate from each other. On the mission to theClavius crater, we see images of Doctor Floyd talking withthe pilots of the shuttle, yet we cannot hear what they aresaying because all we hear is the music. The musical tracks we hear are placed at very deliberatepoints in the story. The film starts with Richard Strauss’s ‘ThusSpake Zarathustra’. We are presented with a view fromspace and we see the moon the earth and the sun inalignment. Here, the music creates an atmosphere of awe. We are presented with the majesty of the planets. This same piece of music plays as the apemen touch themonolith. Sustained low notes rising in pitch and volumetowards a crescendo. Here, it represents understanding. Later we hear the same piece of music representing yetanother theme, that of rebirth. It is plain to see that Kubrickintended to evoke different emotions and themes with thesame song. Johan Strauss’s piece ‘The Blue Danube’, is usedto similar effect.It represents Humour (The stewardess, as shetends Floyd, and the advice for the zero gravity toilet) andit represents the eloquence of the machinery in thespacecraft. The sound design also contributes to the dialogue. Most ofthe dialogue is small talk between the characters. Bowmanand Poole rarely talk to each other. Nothing is even saidduring the space walks. It seems Kubrick wanted to isolatethe characters from each other. Miller suggests that the future society in kubricks 2001resembles that of the apemen in the first section of the film. The music seems to enmphasise this : at the start of the filmwe are presented with grand, majestic music, yet as the shiftoccurs to the future, the music becomes more gentle, morerefined. This however does not represent the humans buttheir machinery. The modern day apemen seem just asclumsy as their ancestors, while they shuffle around theconfines of their spacecraft. In contrast, their machinesmove with precision. As Miller puts it, â€Å"the ape and the manare one and the same†. Quoteâ€Å"Thus the hypnotic circularity of strauss’s waltz applies notto the euphoric roundabout of any dancing couple but tothe even wheeling of that big space station. Thus while thosetrancendent items sail through the void with the eternalgrace of seraphim, the stewardess attending doctor Floydstaggers down the aisle†. 2001: A space Odyssey is built up from cycles, and is itselfan encompassing cycle. Eating, birthdays, water,returningeven the ships themselves, everywhere the imageof a circle appears. The music also performs the samefunction : we start with â€Å"thus spake zarathustra† and itbecomes our last image as the credits begin to roll. Films and Cinema